Tuesday, May 3, 2016

My Impressions: Shotokan Myths

So I am very biased reading this book, since I am a Chinese Martial Arts practitioner for 15 years and my master has a lot of beef with anything Japanese.  I started taking Shotokan Karate a month and a half ago to expand my horizons. 

Shotokan Myths: The Forbidden Answers to the Mysteries of Shotokan Karate


While practicing Karate, I realized there were a lot of moves that were just slight variations of the arts I practiced.  I mean, come on, there are only so many moves a human body can do.  A kick is a kick is a kick.  Change the angle a little and change the power generation a little…  Call it something else?  But it’s really not that different. 

The thoughts I had while picking up Karate were very similar to what this book has to offer.  My first impression taking up Karate was, “Wow, everything I thought was wrong with Karate is summarized here.”  The offensive thought I had was, “Just make Karate more Chinese and all problems are solved.” 

After after this month and a half of learning and studying Karate, I realized the problem is NOT Karate needing to be more Chinese – instead, a lot of training material were probably lost in translation or left out intentionally.  Then, monkey see monkey do, a lot of instructors pass on what is “right” without challenging anything they were taught. 

The top Karate-ka (I’m thinking Rick Hotton, Rika Usami) all demonstrate skill levels outlined in this book whether they know it consciously or not.  I think a long-time Karate-ka that constantly challenges and questions their path will eventually reach the same conclusion.  At that time, one may wonder, “Is this still Karate?”  And having an authoritative figure put it in writing is very reassuring.   

The book does two things very well:
1. Clearly points out what is being lost due to modern adaptions.  E.g. How modern practitioners train, how tournament affects techniques being emphasized on…etc. 
2. Starts to push the boundaries and challenge Karate from a foundational level

I find this book highly valuable mainly due to two reasons:
1. Stimulates me to reflect and introspect my own understanding of martial arts
2. Has an authoritative figure to confirm my suspicions and challenge a martial arts on its fundamental issues that many instructors blindly follow without question

This isn’t great literature.  It’s not a story book.  It’s more like a technical information discussion.  Parts of the book were kata (form)-specific that I had to yawn over.  But this is a strong baseline for a Karate-ka.  Many instructors and schools impose restrictions on how you should do certain things (and yes, rules are important when you start out).  This book helps answer some of those questions, and challenges you to use your head when you’re training your body to question even more ideas.  

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